My review of the activist and partisan discourse yielded a working catalogue of frames. I then tested the "fit" of this catalogue on the sample of media discourse assembled for the study. My aim at this stage was to make sure that the frame catalogue offered the right balance between precision (it should represent all of the important views and ideas in the crime debate) and economy (it should summarize and simplify the debate). The final, revised catalogue included five basic frames that I labeled Faulty System, Blocked Opportunities, Social Breakdown, Media Violence and Racist System. They are presented in the coding guide (Appendix B) in terms of their constituent elements. In what follows I describe them as ideal types.
The "law and order" perspective described in the introduction is best captured in the frame Faculty System. This frame regards crime as a con-sequence of impunity: People do crimes because they know they can get away with them. The police are handcuffed by liberal judges. The prisons, bursting at their seams, have revolving doors for serious offenders. "The system is riddled with loopholes and technicalities that render punishment neither swift nor certain, says Bush Administration Attorney General William P. Barr (P.A.F., 1993:13). "The Supreme Court of our country has made it almost impossible to convict a criminal," says Alabama governor George Wallace (Gordon, 1990:176). The only way to enhance public safety is to increase the swiftness, certainty and severity of punishment. In the words of President Richard M. Nixon, "The time has come for soft-headed judges and probation officers to show as much concern for the rights of innocent victims of crime as they do for the rights of convicted criminals" (1973:3~5). Loopholes and technicalities that impede the apprehension and imprisonment of offenders must be eliminated. Adequate funding for police, courts and prisons must be made available. In our failure to act, warns political scientist James Q. Wilson, "We thereby trifle with the wicked, make sport of the innocent, and encourage the calculating" (P.A.F., 1993:15).
Faulty System is sponsored by Republican politicians, conservative policy analysts, and most criminal justice professionals. It can be symbolically condensed with the mug-shot of the convicted rapist Willie Horton, or by the image of inmates passing through a revolving door on a prison gate (both symbols courtesy of commercials aired on behalf of George Bush in the 1988 presidential campaign [see Chapter 1]).
Blocked Opportunities is sponsored by
liberal and Left policy analysts and by some liberal Democrat
politicians. It can be symbolically condensed through references
to the dead-end jobs reserved for inner-city youth, such as "flipping
burgers at McDonalds."
Social Breakdown is typically expressed in a neutral, ostensibly
non-ideological fashion, but the frame also has conservative and
liberal versions. The conservative versions attributes family
and community breakdown to "permissiveness," the protest
movements of the 1960s and 70s (e.g., civil rights, feminism)
and government-sponsored antipoverty initiatives (e.g., "welfare").
As Senator Daniel Patrick Moynihan put it,
"Among a large and growing lower class, self-reliance, self
discipline and industry are waning. . . [F]amilies are more and
more matrifocal and atomized; crime and disorder are sharply on
the rise.... It is a stirring, if generally unrecognized, demonstration
of the power of the welfare machine" (Beckett, 1994a). The
liberal versions, in contrast, attribute family and community
breakdown to unemployment, racial discrimination, deindustrialization
and capital flight.
Media Violence can be symbolically condensed through reference
to violent television programs (e.g., Miami Vice) or musicians
whose lyrics are said to promote violence (e.g., "Guns 'N'
Roses," "2 Live Crew"). The frame is sponsored
by citizen lobby organizations (e.g., the Massachusetts based
group Action for Children's Television), and, periodically, by
members of Congress and the Department of Justice.
Racist System is sponsored by civil rights and civil liberties
activists and by Left intellectuals. It can be condensed by reference
to Rodney King or other well-known targets of racially motivated
police violence.
There is one more matter to clarify concerning my catalogue of
frames. In contemporary discourse, crime is often attributed to
drugs an guns. I made an early decision that drugs and guns are
part of the crime problemóthings that demand explanation
and not explanations in themselves. If in the account that follows
"drugs" and "guns" are conspicuously absent
as a "causes" of crime, it is for this reason.
The sample is representative of one type of media discourse: that
of public policy commentary by political, journalistic and academic
elites. In contrast to entertainment programming (e.g., police
dramas) op eds tend to be explicit in their ideological messages.
In contrast to straight news reporting, op eds, when taken as
a whole, tend to be ideologically diverse. Beckett (1995) attributes
this diversity to the relative autonomy of op ed writers from
official (governmental and law enforcement) sources. Gans (1979)
points out that newspaper editors feel compelled by a professional
"balance norm" to publish roughly equal numbers of expressly
conservative and liberal columns. While distinct in these respect
from other types of media discourse, op eds feature the key tropes
and metaphors that punctuate the public debate on crime. They
are also significant for their effects on public policy; politicians
read op eds to get a sense of where the political winds are blowing
and thereby to arrive at conclusions about what to say and do.
Michael Billig's (1987, 1991) depiction of the research subject
is perhaps the alternative most compatible with the constructionist
approach to public opinion. He contends that thinking is nothing
more than a dialogue or an argument occurring in a single self.
Hence public conversation and private thinking can be treated
analytically as part and parcel of the same process. The best
way to analyze both is to regard people as orators and to examine
the rhetorical components of their arguments. Prominent among
the latter are "common-places" - the contrary themes,
maxims, folk wisdom, values, and so forth, that together comprise
a culture's common sense. But how can we sample the work of everyday
orators?
Used with permission from:
Social Breakdown
The frame Social Breakdown depicts crime
as a consequence of family and community disintegration. Witness
the skyrocketing rates of divorce and out-of-wedlock births. Witness
the indifference of urbanites to the crime that plagues their
communities. Family breakdown in the context of urban indifference
has loosened the moral and social bonds that in better times discouraged
crime. As President Clinton explained in his 1994 State of the
Union message, "In America's toughest neighborhoods, meanest
streets, and poorest rural areas, we have seen a stunning breakdown
of community, family and workóthe heart and soul of civilized
society. This has created a vast vacuum into which violence, drugs
and gangs have moved." The remedy for the problem can be
found in collective efforts to reconstitute family and community
through moral exhortation, neighborhood associations, crime watches
and community policing. "Every parent, every teacher, every
person who has the chance to influence children must force a change
in the lives of our kids," urged the President in his weekly
radio address. "We have to show them we love them, and we
have to teach them discipline and responsibility.î The frame
can be symbolically condensed through laments over the decline
of "family values" and by the figure of Kitty Genovese,
the New York woman who was stabbed to death while her neighbors
looked passively on (see Chapter 4).
Media Violence
The frame Media Violence depicts crime
as a consequence of violence on television, in the movies and
in popular music. Violence in the mass media undermines respect
for life. By the time the average child reaches age 18, notes
Dr. Thomas Elmendorf in testimony before the House Subcommittee
on Communication, "he will have witnessed . . . some 18,000
murders and countless highly detailed incidents of robbery, arson,
bombings, shooting, beatings, forgery, smuggling and torture."
As a result, "Television has become a school of violence
and a college for crime" (1976:764). To reduce violence in
the society we must first reduce it in the mass media.
Racist System
The fifth frame, Racist System, derives its essence from
a depiction of the criminal justice system rather than an attribution
of responsibility for crime. The frame depicts the courts and
police as racist agents of oppression. In the words of Johnson
Administration Undersecretary of State Nicholas deB. Katzenbach,
"We have in these United States lived under a dual system
of justice, one for the white, one for the black" (1968:616).
Police resources are dedicated to the protection of low crime
white neighborhoods rather than high crime minority ghettos. Black
offenders are more likely to be arrested, convicted and sentenced
to prison than whites who commit comparable offenses. And the
death penalty is administered in a racist fashion. In some versions
of this frame, the putative purpose of the criminal justice system
is to suppress a potentially rebellious underclass.
Rebuttals
Each of these five frames has a number of standard rebuttals.
Faulty System, for example, is frequently negated with
the claim that imprisonment "hardens" offenders; Blocked
Opportunities with the claim that most poor people are straight
as an arrow; Social Breakdown with the claim that rhetoric
about the "nuclear family" is in fact thinly veiled
hostility for feminism; and so on. The coding guide (Appendix
B) specifies some of the frames' most common negations. Table
2.1 illustrates the frames' key components.
Media Discourse
Popular Discourse
Table 2 . Crime Frames
Diagnosis
Prognosis
Condensing Symbols
Faulty System Crime
stems from criminal justice leniency and inefficiency
The criminal justice system needs to "get tough."
Willie Horton
"Handcuffed police"
"Revolving door
justice"
Blocked Opportunities
Crime stems from poverty and inequality
The government must address the "root causes"
of crime by creating jobs and reducing poverty.
"Flipping Burgers" at McDonalds
Social Breakdown
Crime stems from family and community breakdown.
Citizens should band together to recreate traditional
communities.
"Take back the streets"
Kitty Genovese
"Family values"
Media Violence
Crime stems from violence in the mass media
The government should regulate violent imagery in the
media.
"Life imitates art"
2 Live Crew
Guns n Roses
Racist System
The criminal justice system operates in a racist fashion.
African Americans should band together to demand justice
Rodney King
Crown Heights
Charles Stuart
Sasson, Theodore. Crime Talk: How Citizens Contruct a Social
Problem. (New York: Aldine de Gruyter) Copyright 1995 Walter de
Gruyter Inc., New York.