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Growing up as a South Dakota farm girl, family was everything for Melvie Brunick. When she began painting 20 years ago, art afforded Brunick more than a feeling of accomplishment; it provided her with a sense of freedom and the ability to express herself beyond the boundaries of family. Brunicks passion for art made her extremely prolific, and she produced more than 200 works in those 20 years.
Brunick based this painting on a 1981 photograph of her son Davids cocker spaniel. It depicts the family tradition of wrapping a package of treats and leaving it under the tree for the dog. On Christmas morning, Roscoe would unwrap the present himself and eat the treats.
In her works, Brunick strove for realism. Her strong interest in realistic representation caused her to consider as somewhat cowardly the manner in which Monet and the Impressionists depicted the world around them. The combination of her immense love of nature, particularly birds, and her attention to realism endowed Brunick with a great appreciation of Audubons art, which combines realistic illustration with symbolic imagery.
Although illness had recently prevented Brunick from painting, she had every intention of returning to her easel. According to her son David, Brunick "had many more things that she wanted to tell her grandchildren through her art." Unfortunately, Brunick passed away in early April of this year, five short months before the opening of From Grandmothers Brush. Brunicks family feels that in light of her recent death, her inclusion in this exhibition is particularly special and a fitting tribute to her artistic passion.
[artist biography by Sydney Pettus; artist photograph by Rob Malecki]
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